Did Bach really mean that?
Deceptive notation in baroque keyboard music
by Colin Booth
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Colin Booth
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Did Bach really mean that?
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Sample pages
Contents:
1:
Introduction
2:
The Long and Short of it: Note-lengths and Touch
3:
Problems with Triplets, Part One: Synchronisation from the 17th to the 19th century
4:
Problems with Triplets, Part Two: What exactly is a triplet, anyway?
5 part 1:
Swung Rhythms: An introduction to “unequal” playing
5 part 2:
Overtures and Overture-style; Inequality and J. S. Bach
6:
Note groups, Flourishes, and Trills: The developing language of notation
7:
Inconsistency of Notation: Shorthand, or real variety?
8:
The Single-note Ornament: The Simplest Decoration, Grace-notes or appoggiaturas — or what?
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